Less than a decade ago, Adam Wiles was working the aisles of a Scottish grocery chain. Living out of his parents’ house without a college degree, he had all but given up on his dreams of making it as a musician, consigning himself to stock food items on store shelves for the rest of his life.
Looking back on that bleak outlook today, the man who’s remade himself as Calvin Harris emits a nervous chuckle as he fidgets with the permanent black ink on his right forearm that reads, “Enter With Boldness.”
That’s become the mantra of Calvin Harris, who pulled in an estimated $46 million over the past 12 months to make him the highest-earning DJ in the world. With neck scruff and a thick Scottish accent, the 29-year-old songwriter and producer is the face of the electronic music revolution that has long simmered in Europe and finally made its way to America.
“The rise of dance music has been astronomical in the last three years and I happened to be in the right place at the right time,” he says, reclining in a posh lounge at Las Vegas’ Hakkasan nightclub just before his scheduled set at the 2013 Electric Daisy Carnival. “I made that decision completely by accident.”
Accident or not, Harris has latched on to his chance, combining sheer songwriting talent with a marketing strategy that’s dovetailed nicely with the growth of the now $4.5 billion dance music industry. In just the past year, he’s become a massive draw in places like Las Vegas and Miami according to club managers and, with more than 150 performances under his belt in the year period prior to June, he’s added a workman-like attitude that has kept the high-paying gigs flowing.
At more than $45 million, Harris–who didn’t even make FORBES’ inaugural list of the world’s top-earning DJs last year–had a bigger 12-month take than the likes of Jay Z, Katy Perry and frequent collaborator Rihanna. Like many of the world’s top-earning electronic acts, the Scot earns the bulk of his money from his life on the road, where fees in high-end markets like Vegas could hit $300,000 for a single night’s work.
Harris is able to command that much, says one Las Vegas executive, because of the crowd he attracts to clubs. With a DJ style that blends in stronger pop music elements than counterparts like Deadmau5 or Steve Angello, he’s able to cater to both general admission crowd members and higher-spending bottle-service guests, who can spend tens of thousands of dollars for a table and a few bottles of champagne. Harris says he enjoys Vegas because of its pop expectations.
“It’s kind of in that respect challenging as well, because it’s like, if you play too much hardcore club music people aren’t going to like it because it’s a lot of casual club-goers,” he explains. “They’re not all electro EDM-heads.”